by Markas Petuchauskas
Now that some time has passed since the opening of the Samuel Bak museum, I would like to look back. To remember how this world-famous painter’s return to Lithuania began. To remember what I experienced. And these experiences date back to 1943.
Bak was probably never more open about himself than in the introduction to the Lithuanian translation of his book Painted in Words. He tells how Vilnius “tortured” him, how he sought to forget the city and was never able to do so. For more than half a century the artist placed a taboo on thoughts of Vilnius. On the city of his happy childhood and the land drenched in the blood of his family, where he would never set foot again.
I dare say one of the first unexpected reminders of Vilnius after sixty years was Pinkas. It is very nice that Bak was reminded of Pinkas in 1997 in the Lithuanian magazine Krantai (not speaking the language, the artist believed incorrectly this was a publication from the Lithuanian Ministry of Culture). The special third issue of the magazine, this was a publication by the Lithuanian Jewish Cultural Club which I founded in 1994. The magazine was set up at my initiative using club funds, and was intended to commemorate the Vilnius ghetto theater during International Art Days. Lithuanian National Museum employee Simona Likšienė wrote about the pinkas conserved at the museum in the magazine and included the title page.